Articles & Commentary \u2014 The Commotion Digital Gallery<\/title>\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n<link rel=\"preconnect\" href=\"https:\/\/fonts.gstatic.com\" crossorigin>\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Fraunces:ital,opsz,wght@0,9..144,300;0,9..144,400;0,9..144,500;1,9..144,400&family=Inter:wght@300;400;500;600&display=swap\" rel=\"stylesheet\">\n<style>\n:root{--ink:#1a1a1a;--ink-soft:#5c584f;--accent:#9a3d28;--line:#e4e1d8;--pad:clamp(1.25rem,5vw,4rem);}\n*{box-sizing:border-box;margin:0;padding:0;}\nhtml,body{width:100%;background:#ffffff;color:var(--ink);font-family:'Inter',sans-serif;-webkit-font-smoothing:antialiased;}\n.serif{font-family:'Fraunces',serif;}\n.hero{padding:clamp(2.2rem,6vw,4rem) var(--pad) clamp(1.6rem,4vw,2.2rem);border-bottom:1px solid var(--line);}\n.hero .eyebrow{font-family:'Fraunces',serif;font-style:italic;font-size:.95rem;color:var(--accent);margin-bottom:.6rem;}\n.hero h1{font-family:'Fraunces',serif;font-weight:400;font-size:clamp(2rem,4.6vw,3.4rem);line-height:1.1;margin-bottom:.8rem;}\n.hero .dek{font-size:1.02rem;line-height:1.7;color:var(--ink-soft);max-width:64ch;}\n.block{padding:clamp(1.8rem,4vw,2.8rem) var(--pad);}\n.list{border-top:1px solid var(--line);}\n.list .row{display:grid;grid-template-columns:140px 1fr;gap:clamp(1.2rem,3vw,2.6rem);padding:1.8rem 0;border-bottom:1px solid var(--line);}\n.list .row .when{font-size:.82rem;color:var(--ink-soft);letter-spacing:.02em;padding-top:.2rem;}\n.list .row .tag{display:inline-block;font-size:.72rem;color:var(--accent);border:1px solid var(--line);padding:.15rem .55rem;margin-bottom:.6rem;}\n.list .row h3{font-family:'Fraunces',serif;font-weight:400;font-size:1.3rem;margin-bottom:.5rem;line-height:1.25;}\n.list .row p{font-size:.95rem;line-height:1.7;color:var(--ink-soft);max-width:64ch;}\n@media (max-width:700px){.list .row{grid-template-columns:1fr;}.list .row .when{padding-top:0;}}\n<\/style>\n<\/head>\n<body>\n\n<div class=\"hero\">\n <div class=\"eyebrow\">Writing from the director<\/div>\n <h1 class=\"serif\">Articles & Commentary<\/h1>\n <p class=\"dek\">Peppa’s writing on photography, curating, and collecting, drawn from twenty years of running Truth and Beauty and The Commotion, and from her ongoing contributions to arts and culture publications outside the gallery itself.<\/p>\n<\/div>\n\n<div class=\"block\">\n <div class=\"list\">\n <div class=\"row\">\n <div class=\"when\">Essay<\/div>\n <div>\n <span class=\"tag\">On curating<\/span>\n <h3>Choosing what stays on the wall<\/h3>\n <p>A reflection on the editing process behind twenty years of exhibitions \u2014 what makes a body of work ready to show, what a curator’s job actually is once the photographs are already good, and what it means to say no to a piece you admire.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Interview<\/div>\n <div>\n <span class=\"tag\">On the industry<\/span>\n <h3>Conversations continued from The Click<\/h3>\n <p>Written companions to podcast conversations, expanding on ideas that didn’t fit into a single episode and letting guests answer at greater length than the format usually allows.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Column<\/div>\n <div>\n <span class=\"tag\">On collecting<\/span>\n <h3>Notes for a first-time collector<\/h3>\n <p>Practical, unsentimental thoughts on starting a collection \u2014 what to look for, what to ignore, and how to budget \u2014 drawn from years of private and corporate consulting through the gallery.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Essay<\/div>\n <div>\n <span class=\"tag\">On the gallery<\/span>\n <h3>From storefront to screen<\/h3>\n <p>A short history of the shift from Truth and Beauty to The Commotion, and an honest account of what changed \u2014 and what stubbornly didn’t \u2014 in the move from a physical wall to an online platform.<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n<\/body>\n<\/html>\n","protected":false},"excerpt":{"rendered":"<p>Articles & Commentary \u2014 The Commotion Digital Gallery Writing from the director Articles & Commentary Peppa’s writing on photography, curating, and collecting, drawn from twenty years of running Truth and Beauty and The Commotion, and from her ongoing contributions to arts and culture publications outside the gallery itself. 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{"id":26,"date":"2026-09-07T00:59:03","date_gmt":"2026-09-07T00:59:03","guid":{"rendered":"https:\/\/thecommotion.ca\/?page_id=26"},"modified":"2026-09-07T01:17:06","modified_gmt":"2026-09-07T01:17:06","slug":"articles-commentary","status":"publish","type":"page","link":"https:\/\/thecommotion.ca\/?page_id=26","title":{"rendered":"Articles & Commentary"},"content":{"rendered":"\n\n\n\n\n\nArticles & Commentary \u2014 The Commotion Digital Gallery<\/title>\n<link rel=\"preconnect\" href=\"https:\/\/fonts.googleapis.com\">\n<link rel=\"preconnect\" href=\"https:\/\/fonts.gstatic.com\" crossorigin>\n<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Fraunces:ital,opsz,wght@0,9..144,300;0,9..144,400;0,9..144,500;1,9..144,400&family=Inter:wght@300;400;500;600&display=swap\" rel=\"stylesheet\">\n<style>\n:root{--ink:#1a1a1a;--ink-soft:#5c584f;--accent:#9a3d28;--line:#e4e1d8;--pad:clamp(1.25rem,5vw,4rem);}\n*{box-sizing:border-box;margin:0;padding:0;}\nhtml,body{width:100%;background:#ffffff;color:var(--ink);font-family:'Inter',sans-serif;-webkit-font-smoothing:antialiased;}\n.serif{font-family:'Fraunces',serif;}\n.hero{padding:clamp(2.2rem,6vw,4rem) var(--pad) clamp(1.6rem,4vw,2.2rem);border-bottom:1px solid var(--line);}\n.hero .eyebrow{font-family:'Fraunces',serif;font-style:italic;font-size:.95rem;color:var(--accent);margin-bottom:.6rem;}\n.hero h1{font-family:'Fraunces',serif;font-weight:400;font-size:clamp(2rem,4.6vw,3.4rem);line-height:1.1;margin-bottom:.8rem;}\n.hero .dek{font-size:1.02rem;line-height:1.7;color:var(--ink-soft);max-width:64ch;}\n.block{padding:clamp(1.8rem,4vw,2.8rem) var(--pad);}\n.list{border-top:1px solid var(--line);}\n.list .row{display:grid;grid-template-columns:140px 1fr;gap:clamp(1.2rem,3vw,2.6rem);padding:1.8rem 0;border-bottom:1px solid var(--line);}\n.list .row .when{font-size:.82rem;color:var(--ink-soft);letter-spacing:.02em;padding-top:.2rem;}\n.list .row .tag{display:inline-block;font-size:.72rem;color:var(--accent);border:1px solid var(--line);padding:.15rem .55rem;margin-bottom:.6rem;}\n.list .row h3{font-family:'Fraunces',serif;font-weight:400;font-size:1.3rem;margin-bottom:.5rem;line-height:1.25;}\n.list .row p{font-size:.95rem;line-height:1.7;color:var(--ink-soft);max-width:64ch;}\n@media (max-width:700px){.list .row{grid-template-columns:1fr;}.list .row .when{padding-top:0;}}\n<\/style>\n<\/head>\n<body>\n\n<div class=\"hero\">\n <div class=\"eyebrow\">Writing from the director<\/div>\n <h1 class=\"serif\">Articles & Commentary<\/h1>\n <p class=\"dek\">Peppa’s writing on photography, curating, and collecting, drawn from twenty years of running Truth and Beauty and The Commotion, and from her ongoing contributions to arts and culture publications outside the gallery itself.<\/p>\n<\/div>\n\n<div class=\"block\">\n <div class=\"list\">\n <div class=\"row\">\n <div class=\"when\">Essay<\/div>\n <div>\n <span class=\"tag\">On curating<\/span>\n <h3>Choosing what stays on the wall<\/h3>\n <p>A reflection on the editing process behind twenty years of exhibitions \u2014 what makes a body of work ready to show, what a curator’s job actually is once the photographs are already good, and what it means to say no to a piece you admire.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Interview<\/div>\n <div>\n <span class=\"tag\">On the industry<\/span>\n <h3>Conversations continued from The Click<\/h3>\n <p>Written companions to podcast conversations, expanding on ideas that didn’t fit into a single episode and letting guests answer at greater length than the format usually allows.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Column<\/div>\n <div>\n <span class=\"tag\">On collecting<\/span>\n <h3>Notes for a first-time collector<\/h3>\n <p>Practical, unsentimental thoughts on starting a collection \u2014 what to look for, what to ignore, and how to budget \u2014 drawn from years of private and corporate consulting through the gallery.<\/p>\n <\/div>\n <\/div>\n <div class=\"row\">\n <div class=\"when\">Essay<\/div>\n <div>\n <span class=\"tag\">On the gallery<\/span>\n <h3>From storefront to screen<\/h3>\n <p>A short history of the shift from Truth and Beauty to The Commotion, and an honest account of what changed \u2014 and what stubbornly didn’t \u2014 in the move from a physical wall to an online platform.<\/p>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n<\/body>\n<\/html>\n","protected":false},"excerpt":{"rendered":"<p>Articles & Commentary \u2014 The Commotion Digital Gallery Writing from the director Articles & Commentary Peppa’s writing on photography, curating, and collecting, drawn from twenty years of running Truth and Beauty and The Commotion, and from her ongoing contributions to arts and culture publications outside the gallery itself. 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