The general tendency to look quickly at art, to move along from piece to piece in a museum or gallery, deprives us of the opportunity to fully engage with what we are seeing, to process feelings effectively, and to better understand the essential relationship we as viewers have to art.
Read moreStudio Work : In Conversation with Torrie Groening
Torrie Groening’s studio is an extraordinary place with a storied history. Located in a converted church at the edge of Vancouver’s Chinatown, the studio occupies the top floor of the building, with her family’s residence on the main floor below.
Read moreEnraciné : The Backstory with Desirée Patterson
The genesis of Enraciné was more an existential epiphany than an artistic concept for Vancouver-based photographic artist Desirée Patterson. The series of photographs began after she had a powerful inspiration to create personal, rather than commercial work. Desirée revealed that her discovery of an overwhelming “sense of the profound miraculousness of the universe” spurred a newfound pursuit of an authentic voice, and a desire to advocate for environmental sustainability and to “create work that spoke to my concerns”.
Read moreA Closer Look : Reading a Photograph
The Birth of Venus, After Botticelli (Pictures of Junk) (2008) by Brazilian lens-based artist Vik Muniz (b. 1961) is a digital photographic C-print in three parts, with a monumental size of 92.2” x 53.3”. The ‘Pictures of Junk’ series is the product of Muniz’ long-term collaboration with resident garbage pickers of Jardim Gramacho, Rio de Janiero’s largest waste landfill.
Read morePhotoFairs San Francisco 2017 RoundUp
Banking on the growing success of three years in Shanghai, Photofairs launched its inaugural North American edition in San Francisco January 27-29th, arriving at the former historic U.S. Army San Francisco Port of Embarkation, now the picturesque waterfront Fort Mason Center for Arts and Culture Festival Pavilion.
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